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Used Electric Guitar: Buy With Confidence or Walk Away

  • May 28
  • 3 min read

The choice you face with every used electric guitar is simple: buy a player that needs work, or pay more for one that's already sorted.

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The fork in the road

A Stratocaster with fret buzz sitting at a tempting price is not the same as a Stratocaster that plays clean. Both look like deals. One is. The difference lives in four specific places, and you can check all of them before you hand over a dollar.

 

What the neck tells you first

The neck is the guitar's spine, and a bent spine changes everything. Sight down the neck from the headstock toward the body — hold it up like you're aiming a rifle. You want a very slight bow, almost nothing. A neck that curves hard toward the strings or buckles back away from them means the truss rod, the metal rod inside the neck that controls tension, needs adjustment. Mild truss rod issues are cheap to fix. But a neck that has twisted sideways, even slightly, is a different problem — and refinishing or replacing a twisted neck costs more than most used guitars are worth.

 

Frets: the wear that changes what you pay

Run your thumb across the fret ends on the low E side. Worn frets develop flat spots across the top, and a guitar with deeply grooved frets will buzz and lose sustain no matter how well the neck is set. Re-fretting a guitar at a shop runs roughly $150 to $300 in most Canadian cities — that number should directly reduce what you offer. New frets are not a disaster, but they are a negotiating point. Conversely, a guitar with barely touched frets has years of playability left and earns its asking price.

 

Pickups and hardware: original beats upgraded

Here is the part most buyers skip. Flip the guitar over and look for the control cavity cover — usually a small plastic plate on the back. If you can pop it open, check whether the pickups match the guitar's era and brand. Replacement pickups are not automatically bad, but non-original hardware means the guitar can't be called stock, which matters enormously for resale. A vintage Strat with its original pickups intact sells for multiples of the same guitar with aftermarket swaps. At A-1 Trade & Loan on Commercial Drive, original hardware is one of the first things that changes what an instrument is worth — matched parts read like a clean title on a used car.

 

When the buzzy one actually wins

Path A — the clean, plays-great guitar — wins most of the time. But Path B, the cheaper guitar with fret buzz, wins when the buzz comes from a single high fret that a luthier can level in under an hour for $40. Fret buzz confined to one or two spots on the neck is almost always a setup issue. Fret buzz up and down the entire neck is structural. Press the string at the first fret and the last fret simultaneously and look at the gap between the string and the eighth fret. A gap thinner than a credit card usually means the neck needs relief adjustment — a five-minute fix any guitar tech can do. No gap at all means a back-bow that takes real work.

 

Does a case come with it?

A hard case is not just storage. It signals that someone cared about the guitar. More practically, a fitted original case adds $50 to $150 in resale value for common models and significantly more for vintage instruments. A guitar sold without any case has probably lived a harder life than the seller admits.

 

How to pick your guitar

Before you go, search Reverb for your exact model — filter by Sold listings to see real prices, not wish prices. Then run the neck check, the fret-wear check, and the pickup originality check in that order. If all three are clean, the asking price is probably fair. If one fails, you have a number to negotiate with. If two fail, you're buying a project, and projects are only smart when the price reflects it.

 
 
 

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